Integration of the Traditions of Folk-Instrumental Art into the Works of Chinese Composers of the 20th and 21st Centuries

The problem of integration folk art and, in particular, instrumental art, into the works Chinese composers 20th and 21st centuries, light above-mentioned phenomena, is relevant, comprehensive to a certain extent, inexhaustible for researchers world musicological science. This was factor that prompted disclosure topic publication question, which at same time reason writing study. Its relevance stems from importance deep understanding such phenomenon as its implementation compositional practice. purpose this study investigate process integrating folklore (its branch) professional academic music China. main methods achieving this, are principles approaches chosen here review, collect, systematic compilation sources relating general, well folk-instrumental field – particular. result activities undertaken categories all sectors under consideration, derived research process. They form coherent structure systems musical language (means expression) ways processing sources. tables figure-chart illustrate aspect. There considerable number different scholarly judgments, perspectives specialists who have addressed their issue centuries. However, holistic phenomenon, requires own research. fact determines practical significance present It also demonstrates promising nature scientific knowledge future.